816 products were found matching your search for Art Community in 1 shops:

Hardcover with dust jacket. VG/G. Dust jacket is edge worn, creased and bumped.

How a Philadelphia organization initiated a program to plan and create public art projects with the community.

The Nature of Drawing : A Conversation About Art and Community, Andy Rush's searching book examines and illuminates the many ways art sustains our personal and collective lives. In this gathering of narrative essays and lush images, Rush, founder of the Tucson Drawing Studio (TDS), speaks as a teacher, artist, father, grandfather, husband, and citizen of the world, not only of the art world. Philosophical, experiential, privately formed for the public forum, The Nature of Drawing, like TDS for which Rush first composed many of these pieces, humanizes the discourse of art and renders art accessible to all. Rush proposes that visual study and self study are key not only to how we live more fully, but also to how we redirect the future of education. These essays /conversations engage with history, with drawing as a complex and critical language in the 21st century, and with the pure pleasures of art as part of daily life. Rush's conversations inspire conversation, which is their generous, reciprocal goal. The Nature of Drawing unfolds as a collection of teachings, a series of concentrated sutras upon to which to mediate and with which to better understand art as practice. This lovely book allows readers to be students, offering inspiration and the distilled wisdom that art's essential purpose is to enhance experience of our lives. I am deeply grateful for this book and for Andy Rush, master teacher, writer, artist, and human being, whose work renews the meaning to art and community again and again. Debra Gregerman University of Arizona Lecturer (English, Creative Writing, Honors Arts Elective)

But We Cannot See Them: Tracing a UAE Art Community, 1988-2008 is edited by Maya Allison, with essays by Aisha Astoby and Adel Khoza, and interviews with members of the community, including Hassan Sharif, Mohamed Ahmed Ibrahim, Abdullah Al Saadi, Mohammed Kazem, Hussain Sharif, Vivek Vilasini,Ebtisam Abdulaziz, Cristiana De Marchi, Nujoom Alghanem and Khalid Albudoor. This is the first comprehensive sourcebook for one of the most important contemporary art communities in the UAE s history. It centers on a group sometimes called the five, at an intersection of visual artists, writers, and filmmakers based in the UAE. Its members identified with a new culture of encouraging radical, formal and conceptual experimentation. Eventually, some of these artists founded the celebrated Flying House.

Based on the words and experiences of the people involved, this book tells the story of the community arts movement in the UK, and, through a series of essays, assesses its influence on present day participatory arts practices. Part I offers the first comprehensive account of the movement, its history, rationale and modes of working in England, Northern Ireland, Scotland and Wales; Part II brings the work up to the present, through a scholarly assessment of its influence on contemporary practice that considers the role of technologies and networks, training, funding, commissioning and curating socially engaged art today.The community arts movement was a well-known but little understood and largely undocumented creative revolution that began as part of the counter-cultural scene in the late 1960s. A wide range of art forms were developed, including large processions with floats and giant puppets, shadow puppet shows, murals and public art, events on adventure playgrounds and play schemes, outdoor events and fireshows. By the middle of the 1980s community arts had changed and diversified to the point where its fragmentation meant that it could no longer be seen as a coherent movement. Interviews with the early pioneers provide a unique insight into the arts practices of the time.Culture, Democracy and the Right to Make Art is not simply a history because the legacy and influence of the community arts movement can be seen in a huge range of diverse locations today. Anyone who has ever encountered a community festival or educational project in a gallery or museum or visited a local arts centre could be said to be part of the on-going story of the community arts.This book is open access and available on www.bloomsburycollections.com . It is funded by the University of Manchester.

Based on the words and experiences of the people involved, this book tells the story of the community arts movement in the UK, and, through a series of essays, assesses its influence on present day participatory arts practices. Part I offers the first comprehensive account of the movement, its history, rationale and modes of working in England, Northern Ireland, Scotland and Wales; Part II brings the work up to the present, through a scholarly assessment of its influence on contemporary practice that considers the role of technologies and networks, training, funding, commissioning and curating socially engaged art today.The community arts movement was a well-known but little understood and largely undocumented creative revolution that began as part of the counter-cultural scene in the late 1960s. A wide range of art forms were developed, including large processions with floats and giant puppets, shadow puppet shows, murals and public art, events on adventure playgrounds and play schemes, outdoor events and fireshows. By the middle of the 1980s community arts had changed and diversified to the point where its fragmentation meant that it could no longer be seen as a coherent movement. Interviews with the early pioneers provide a unique insight into the arts practices of the time.Culture, Democracy and the Right to Make Art is not simply a history because the legacy and influence of the community arts movement can be seen in a huge range of diverse locations today. Anyone who has ever encountered a community festival or educational project in a gallery or museum or visited a local arts centre could be said to be part of the on-going story of the community arts.This book is open access and available on www.bloomsburycollections.com . It is funded by the University of Manchester.

This expertly researched book makes a radical case for accessible public art that fosters a powerful civic experience of connection to place. The author advocates narrative, site-specific public art that engages the popular imagination through common references to history, folklore, culture and geography, and demonstrates how the integration of approachable art with local landscape, architecture and urban design can facilitate identification with locale. Dozens of case studies of spectacular and innovative works throughout the United States are accompanied by practical information, cost and policy analysis, artist interviews, examples of failures and major controversies, and strategies for the future, making this book an essential reference for anyone involved with transforming and improving our public spaces.

Creativity to Community: Arts Nonprofit Success One Coffee at a Time is both an inspiring and practical guide for anyone who values the role of art in their community. Written by Dr. Matthew Hinsley, a successful arts administrator who managed the growth of an arts nonprofit from its infancy to become the largest of its kind in America, Creativity to Community is an approachable yet detailed guide that addresses the most important issues facing community arts organization leaders.

Book is in NEW condition. 0.83

Clean pages/boards wit firm hinges, sharp corners. DJ in VG+ condition. BP/Architecture/Urban Studies

Chicago, so often described as a "city of neighborhoods," is the place aptly associated with the beginnings of neighborhood public art. Sparked by the grassroots political and cultural movements of the 1960s, community art has come to portray an America different from the usual signs of commerce—concerned instead with social justice, the appreciation of diverse cultures, and the traditional values of family, neighborhood, and spirituality. Urban Art Chicago is a portable guide to the most visually stimulating and historically significant community public art projects in Chicago. It includes 130 full-color illustrations of these artworks, with concise descriptions, historical background, and locations. Produced in cooperation with the Chicago Public Art Group, Urban Art Chicago effectively conveys the vibrancy of community public art (now a national phenomenon) and how it alters the relationship of artist to audience. "The audiences become the artists as they participate in the conception and making of the work," Gude and Huebner write. "The artists are bonded to the community by the process of listening and through participating in the life of a place. The content of the work and the stories of its making create a work which is 'owned' by the community. As someone once said at a public art hearing, 'We want one of those murals that are about us.'"

Acknowledged as the nation’s foremost expert on audience development involving America’s growing multicultural population by the Arts and Business Council, Donna Walker-Kuhne has now written the first book describing her strategies and methods to engage diverse communities as participants for arts and culture. By offering strategic collaborations and efforts to develop and sustain nontraditional audiences, this book will directly impact the stability and future of America’s cultural and artistic landscape. Donna Walker-Kuhne has spent the last 20 years developing and refining these principles with such success as both the Broadway and national touring productions of Bring in ’Da Noise, Bring in ’Da Funk, as well as transforming the audiences at one of the U.S.’s most important and visible arts institutions, New York’s Public Theater. This book is a practical and inspirational guide on ways to invite, engage and partner with culturally diverse communities, and how to enfranchise those communities into the fabric of arts and culture in the United States.Donna Walker-Kuhne is the president of Walker International Communications Group. From 1993 to 2002, she served as the marketing director for the Public Theater in New York, where she originated a range of audience-development activities for children, students and adults throughout New York City. Ms. Walker-Kuhne is an Adjunct Professor in marketing the arts at Fordham University, Brooklyn College and New York University. She was formerly marketing director for Dance Theatre of Harlem. Ms. Walker-Kuhne has given numerous workshops and presentations for arts groups throughout the U.S., including the Arts and Business Council, League of American Theaters and Producers, the Department of Cultural Affairs, and the National Endowment for Arts to name a few. She has been nominated for the Ford Foundation’s 2001 Leadership for a Changing World Fellowship.

This user-friendly book provides a step-by-step guide to using the five major approaches to research design: quantitative, qualitative, mixed methods, arts-based, and community-based participatory research. Chapters on each approach follow a unique format--they present a template for a research proposal and explain in detail how to conceptualize and fill in every section. Terminology commonly used within each approach is identified, and key moments of ethical decision making are flagged. Interdisciplinary research examples draw on current events and social justice topics. Unique coverage includes hot topics: replication studies and data sharing, tailoring proposals to different audiences, and more. The book also includes a general introduction to social research; an in-depth, practical discussion of ethics; and a chapter on how to begin a research study, from planning a topic to developing a research question via a literature review. Pedagogical Features *Multiple "Review Stops" in each chapter--quick quizzes with answer keys. *End-of-chapter writing exercises, research activities, and suggested resources. *Bold-face key terms and an end-of-book glossary. *Boxed tips from experts in the respective approaches. *Supplemental PowerPoint slides for instructors using the book in a class. Winner (Third Place)--American Journal of Nursing Book of the Year Award, Nursing Research Category

Book is in NEW condition. 1.77

Venice, California, is one of the most vibrant and distinctive communities in the United States. While it’s best known for its bohemian atmosphere, picture-perfect canals, and rambunctious boardwalk, there’s much more to Venice than what appears on the glossy surface. For years, it has been a locus of creative activity and home to world-class artists, architects, and designers who have continuously given it new life. Venice, CA is an exploration of Venice’s original and captivating approach to lifestyle, architecture, and design. Established a century ago as the Coney Island of the Pacific, Venice lost its rides and gained a picturesque clutter of cottages and warehouses. In between these humble facades are cutting-edge buildings by Frank Gehry, Morphosis, Coop Himmelblau, and Lorcan O’Herlihy. Venice, CA allows readers unprecedented access into the homes and studios of Ed Ruscha, Dennis Hopper, John Baldessari, Ken Price, Robert Graham, and other major artists, architects, and mavericks.

The Economics of Place: The Art of Building Great Communities; goes beyond placemaking as a concept, to offer real-world examples of economic drivers and agents of social and cultural change in Michigan's own backyard. They represent some of the many place-based catalysts that spark transformational changes that reinvent and revitalize communities with tangible payoffs in terms of livability, social and cultural enrichment, and economic development.

Joyfully Together contains a wealth of ideas, thoughts, and practical suggestions on how to live happily with other people. The wisdom in this book draws from ancient Buddhist traditions to solve conflicts large and small. Thich Nhat Hanh explores the spiritual, emotional, and practical aspects of developing a community for life. He shows how using nonviolent communication can resolve difficulties and nurture a sense of peace and reconciliation in all of our relationships. The practical insight he shares in this book is easily adaptable for use by families, religious communities, cities, and even the United Nations.

Providing theory and practical interventions, this book is the perfect companion to creative arts therapy students and professionals who wish to work with the LGBTQ community and the unique challenges that sexual minorities, transgender and gender non-conforming (TGNC) clients face today.Considering ally development, unconscious bias and intersectionality, the book provides theory, case studies and practical guidance for working with this client group, as well as experiences emerging from within the LGBTQ and CATs community. The contributors cover a wide range of topics, from exploring sexuality and gender identity through portraiture to facilitating a music therapy group with transgender clients, and foster ally development in senior living communities through a multimodal approach.With research finding that people from the LGBTQ community are at increased risk of depression and anxiety, Creative Art Therapies and the LGBTQ Community provides indispensable guidance for therapists.

Unread book in perfect condition.

“More street artists are turning to stencil art’s speed, efficiency, and neatness as a means of expression. All it takes is a piece of cardboard, an X-Acto knife, and a can of spray paint to pose an idea or tell a story with the potential to change the gait of pedestrians and make them stop and think.”—San Francisco WeeklyWithout a doubt, stencils are the fastest, easiest, and cheapest method for painting an image on a wall, a sidewalk, or practically anywhere. Stencil Nation focuses on the unexpected mix of this lively, accessible medium—from famous artists including Banksy to international street stencils and gallery shows—to reveal engaging aspects of an intentionally secretive creative community.With dynamically illustrated perspectives from the niches of the art form, female artists, documentarians, and the growing online community of the international scene are featured in this fresh collection of photographs and essays curated by StencilArchive.org’s founder, Russell Howze. New artists, often utilizing stencil art in unconventional ways, are also featured.Stencil Nation also represents the art of lesser-known urban scenes, including Poland, Romania, and Israel. Additionally, Stencil Nation builds upon previous published works to give the most extensive and up-to-date history of stencil art, as well as how-to tips from the artists themselves.Russell Howze is the curator of StencilArchive.org. He lives in San Francisco.